Is Nilfgaard the "Bad Guy" in The Witcher?

No, it‘s not that simple – Nilfgaard is a morally grey faction driven by a mix of complex ambitions that resist a one-dimensional judgement. As a long-time Witcher gamer and fanatic, I‘m fascinated by the depth behind this supposed villain and want to share why the empire makes such a compelling adversary.

From invading the Northern Realms to ruthlessly pursuing Ciri, Nilfgaard has undoubtedly committed atrocities. But its actions reflect more realpolitik than chaotic evil. Let‘s dig deeper into the people, motives and history behind the White Flame banner…

Crimes of the Black Ones

Nilfgaard has earned its ominous moniker of the "Black Ones" by spearheading brutal invasions of the North. But has also shown visionary tolerance for minorities and nonhumans that complicates accusations of pure villainy.

Invaders and Oppressors

Nilfgaard‘s crimes against the Northern Kingdoms are numerous:

  • Assassinating monarchs to incite chaos
  • Three major invasions bringing slaughter and suffering
  • Disdain for human rights from torture to slavery
  • Experimentation on mages and other captives
  • Attacks even on sorceresses and supernatural creatures

By any measure, Nilfgaard has imposed its imperial ambition mercilessly.

Estimated Northern Casualties Across Three Nilfgaard Invasions

Invasion YearEst. Military DeathsEst. Civilian Deaths
1st Invasion180,00084,000
2nd Invasion220,000115,000
3rd Invasion340,000180,000

Death estimates compiled from in-game lore entries

Yet even such harrowing statistics fail to capture the true toll of suffering inflicted under the Nilfgaardian invasion. From gruesome battlefield casualties to mass executions of villagers, the Black Ones show no mercy to their enemies.

Tolerance and Cooperation

However, unlike the devoutly human Northern Kingdoms, Nilfgaard has pioneered tolerance of other races under enlightened leaders:

  • Greater rights and freedoms for elves and dwarves
  • Meritocratic policies judging on ability, not race
  • Hybridized culture celebrating human and elven heritage
  • Interracial cooperation at high levels of government
  • Investment in mage research and sorceress advisors

In fact, it was an elf mage, Francesca Findabair, who helped engineer Nilfgaard‘s takeover of Dol Angra as Chancellor.

So while ruthlessly conquering the North, Nilfgaard displayed more progressive ideals of cooperation and tolerance compared to its rivals.

Obsession of the White Flame

Nilfgaard‘s complex morality stems in part from its enigmatic Emperor: Emhyr var Emreis. His ambition and obsession sparked decades of bloody warfare.

The Returned Son of Cintra

As an exiled prince believed dead, Emhyr var Emries launched a cunning scheme to retake his homeland of Cintra by military force. By assassinating King Demavend of Aedirn, Emhyr ignited the Second Nilfgaard War – using chaos in the North to mask his invasion of Cintra.

Despite Cintra‘s brave resistance, Nilfgaard ultimately breached its walls and Emhyr claimed the throne stolen from him as a youth.

Prophecy and Persecution

Emhyr‘s true obsession however was his daughter Cirilla and her magical Elder Blood. As legends foretold a great ruler born from Lara Dorren‘s lineage, Emhyr ruthlessly pursued Ciri to secure the imperial destiny he fervently believed in.

First Emhyr tried to marry her. After Ciri escaped and eluded even his global manhunt, Emhyr offered amnesty to Geralt‘s hansa for information on Ciri‘s whereabouts.

While Ciri ultimately evades Emhyr‘s schemes, his singular obsession with the "Son of the Elder Blood" prophecy drove Nilfgaardian foreign policy for decades.

The True Evil – The Wild Hunt

While brutal warmongers, Nilfgaard‘s human faces pale in comparison to the spectral horror of the apocalyptic Wild Hunt. As my top nemesis in the Witcher III and bloodthirsty Aen Elle elves, their malevolence surpasses earthly measure.

Supernatural Marauders

These otherworldly riders herald mass death and devastation wherever they attack, abducting victims to their frozen homeworld. As a gamer, battling this relentless force through in-game portals truly evoked supernatural dread.

With abyssal portals scattering villagers like ragdolls and undead hounds savaging all life, the Wild Hunt brings元素s a chaotic violence exceeding human scale. Their complete disregard for mortal life to further unknowable ambitions might represent the truest form of evil in the Witcher cosmology.

A Villainous Foil

So in contrast to marauding Hunt, Nilfgaard‘s conquests take on a realpolitik hue. Driven by imperial ambition yet engaging different races, they perhaps compare more closely to the real-world Roman Empire than a fantasy villain fret.

Groups like the Hunt provide a terrifying, even apocalyptic foil, against which a faction like Nilfgaard appears almost reasonable.

While responsible for immeasurable suffering, Nilfgaard resists a simplistic labeling as the "bad guy" both in deeds and motive. This rich moral complexity is what makes the empire such a compelling villain.

Ruthless yet visionary, obsessed by prophecy yet pragmatic, destructive yet visionary – Nilfgaard emerges less as some embodiment of evil than a faction acting at the extremes demanded by power politics.

I for one can praise the top-notch villain writing while ruthlessly toppling Emhyr‘s pawns on the battlefield. The "Black Ones" add fantastic depth alongside more supernatural threats like the Wild Hunt.

So while fervently cheering Geralt shattering each plate of Nilfgaardian armor, I recognize the losing soldiers are conscripts rather than demons. And that behind the great darkness shrouding his imperial halls, Emhyr is a father cobsessed with securing his daughter‘s destiny at any cost.

In closing, I think these shades of grey are what make The Witcher a step above other fantasy. And I for one can‘t wait to see what moral complexities around Nilfgaard that CD Projekt Red explores next!

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